Category Archives: Production - Page 8

Quick Fix

Almost Finished Left Bracer

In realizing I would not be able to get both bracers duly finished in time, I decided to shift all focus onto completing at least one of them, upholding quality standards while granting myself some sleep before a heavy few days of melodious appreciation ahead.

I ultimately wound up stringing a cordonnet-thread as a temporal solution for lacing up the bracer onto the point where I could easily get my hand through and swiftly sew the bracer fastened around my arm whilst on the road to wearing a new piece in pride.

Simply the Best

Marquis Coat Horse-Hair Collar interfacing

As a didactic example it was recently shown to me how horse-hair interfacing is properly fixated onto the under-collar, using a fascinating, yet strenuous, pattern of minuscule stitches attaching the inter-facing whilst forming the collar around your hand as you move, allowing you to pull both bias-cut layers simultaneously into a round fold, bestowing the rigid collar with an elegant roll-over.

Protective Shells

Steam-pressing staggered pleats

Steam-pressing staggered pleats

Two bracers' pieces, freshly cut

Two bracers' pieces, freshly cut

 
Protective Shells, Fixed up and brought into folds

Fixed up and brought into folds

Single Bracer, Sewn together in outer seam

Sewn together in outer seam

 

Illustrating the total process on manipulating one inherently difficult seam, procured by sewing contravening velvet pleats together, followed by refining inner seam allowances through cutting overlap and allowing naps to neatly bring the whole formation into shape, producing fancily free cuspy folds.

First Fitting

Marquis Coat, assembled in baste, with pins placed to mark corrections.
With the Marquis Coat assembled in baste, it was time to call in my secondary model for making primary corrections.

Perfecting the overall fit demanded some taking in on each seam around the waist as well as slightly heightening the waistline itself to better manifest the godet-drop onto the hips and backslit.

With minor redrawing of the shoulderpiece, rounding its seams to gain more natural lines, next was selecting the right pads and adjusting the otherwise immaculate sleeve‘s head accordingly.

Having the spot-on collar directly cut in coarse interfacing, a small carefully tied scarf was used to determine the placement of the gilet-closure, providing the proportions to set the garment’s length, pinning hemline in place measuring from the ground up.

Cutting Cloth

Coat-pieces chalked onto fabric wrong side
Submitting the recently begotten new asset to the test, by cutting out the individually chalk-transferred pattern pieces for the Marquis Coat; a task that still turned out to be quite a managerial challenge, as even with the extension onto a second fabric, the strictly right-thread-oriented placement of all the downwards widening pieces came out not a bit too liberal in filling out the available velour.

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