The textile base for the Red Shirt is a lightweight fabric construction of a well-fitting coupe on which I can conveniently draw the shirt’s design-lines using a marker to precisely locate all the seam points on my body.
Monthly Archives: March 2011 - Page 3
Post Categories
Posted by Discipulus
on March 14, 2011
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Having now written a sufficient number of posts, I have found their contents to group over the following eight categories:
| Concepts “endeavor illustration” |
Full outfit illustration, accompanied by a clarifying total-outlook description incorporating composition analyses. (4 posts) |
| Revelation “work manifestation” |
Directing a more narrow sight onto a single completed piece, carefully photographed to display its principle characteristics. (7 posts) |
| Chronicle “venture registration” |
Visualized reporting of recently undertaken ventures into procuring materials and resources fundamental to the work. (6 posts) |
| Progress “labor documentation” |
Highlighting specific steps from the construction process deemed noteworthy due to their distinguished design-restricted nature. (2 posts) |
| Sketches “design interpretation” |
Individual design breakdown featuring in-depth construction stratagem formulated around comprehensively detailed drawings. (4 posts) |
| Treasure “acquisition exposition” |
Displaying photographed valuables, uniquely begotten or especially requested from manufacturers within the Goth scene. (4 posts) |
| Reflection “thoughts and insights” |
Contemplating the motivations behind the work, textually rationalizing choice direction and preponderance. (12 posts) |
| Reminiscence “personal retrospect” |
Recollecting personal memories or impressions affiliated with a specific day, presented by video-graphic format. (3 posts) |
These will now gain a more centralised position within the blog interface, hopefully guiding a more comprehensible outlook
The Suede Suit Trousers
Posted by Discipulus
on March 13, 2011
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Introducing Color
Posted by Discipulus
on March 12, 2011
1 comment
Providing imminent comfort whilst upholding ordain semblance; for the greater span of life’s years, my personal guise auto-restricted itself to solemn black attire. When pursuing the finer fabrics for my own creations, however, I regularly caught my eye wandering off to differently toned dyes, some, even bright or non-subtle, ooccasionally, an outstanding tint from a woven range, left an impression.
Despite being generally vexatious to the monotonous train of thought, admittedly, the injection of color does institude new dimension to any work, associating it with the emotion of a thermal distance. Applied consistently, the added layer of saturated contrast can resolve a deeper dark expression, unachievable without such added pigmentation.
Incorporating elucidated polychromasia in my (now crayon-colored) concepts, I accommodate the finer shades into my wardrobe, spiking distinct tints onto dark bases, altogether suggestive for the primary outfits, pertaining a more outspoken nuance for the secundary ones, regardless; 2011′s concepts which will feature a lot of red.
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