Most ubiquity I find the creative urge relenting to my original field of studies, materializing in incorporating its science into my designs. Seeking a greater level of functionality, whilst minding specific usability limitations, pursuing new methods of connecting structures and materials in order to express emotion in shapes by creating artistically endearing three dimensional objects that encompass us as we live providing protection against the elements; when it comes down to significance, both architecture and fashion are notions of the same endeavor, opposing primarily in encapsulation range and staticity.

Convening to a fascinatingly to such norms divergent conduct, striving to create architecture which imitates life reforming itself around us as we maneuver, and a fashion static and robust upholding a pertinent presence, – one of which ideally adaptable to the uncompromising environment of a certain festival – I contrived the following study incorporating one anachronous idealism of architecture: the Gothic window.

Exhibiting this cogitation, the following figures depict modifications on standard base patterns for an eight-panel skirt, a six-panel coat, and a four-panel cape, each epitomizing such window on overlap, with the cape, as the project’s magnus opus, exhibiting an even more tributal reoccurrence of this manifestation wherein any fabric, cut in godet, can back the window aperture.