At this point in time, the white aristocrat shirt makes for the most intricate amongst my designs, envisioned during the previous working year as a rather elaborate method for pushing up my skills onto a higher level.

Thriving in elegant flow and organic shaping the concept maintains a strong duality of form repetition and linear direction composed around a solid tailored base; brought to width by small folds dropping from the shoulder pieces while thinned at the waist through sets of centre-oriented darts that emerge from the uppermost one of the two forwards leading hemlines, which themselves are caught within the shirt’s central box-placket; at high contrast to the voluptuous fully pleated, ribbon-bound, sleeves; long enough to overlap their own continuation into sturdy mid-arm cuffs, finished with flourishing sets of pleated ruffles.

The work is completed by two complementary collars, whose respective Italian and French points are to fall flawlessly onto the outermost folds of the vigorous dual-layered jabot, itself a fluid repetition of the design’s prevailing features, echoing the cuspated hemline shapes with the division of the forementioned bust-pleats.