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<channel>
	<title>Opus Relinque &#187; patterns</title>
	<atom:link href="http://blog.opusrelinque.com/tag/patterns/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.opusrelinque.com</link>
	<description>&#34;Documented Gothic Fashion&#34;</description>
	<lastBuildDate>Wed, 20 Jul 2016 13:52:19 +0000</lastBuildDate>
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	<item>
		<title>Puzzling Panel</title>
		<link>http://blog.opusrelinque.com/2013/10/20/puzzling-panel/</link>
		<comments>http://blog.opusrelinque.com/2013/10/20/puzzling-panel/#comments</comments>
		<pubDate>Sat, 19 Oct 2013 23:59:21 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=10975</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2013/10/20/puzzling-panel/" title="Puzzling Panel"></a>When trying to make maximal use of the little material remaining, dividing the front panel into a conundrum of pieces became the only option; joining leather frame with silk underground to create a natural resource combination that makes mistakes of &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2013/10/20/puzzling-panel/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2013/10/20/puzzling-panel/" title="Puzzling Panel"></a>			<content:encoded><![CDATA[<p class="or-3spanpost" style="text-align:center;"><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-A.jpg" rel="lightbox[10975]" title="Laying down the pattern pieces to check various posibilities.."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-A-150x150.jpg" title="Laying down the pattern pieces to check various posibilities.." alt="OpusRelinqueTechnics-2013-10-20-A" width="150" height="150" class="alignleft size-thumbnail wp-image-10981" style="margin-left:14px;"></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-B.jpg" rel="lightbox[10975]" title=".. before taping them all (lefts and rights) onto the leather.."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-B-150x150.jpg" title=".. before taping them all (lefts and rights) onto the leather.." alt="OpusRelinqueTechnics-2013-10-20-B" width="150" height="150" class="alignnone size-thumbnail wp-image-10980" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-C.jpg" rel="lightbox[10975]" title="..and leave a most excelent result to waste ratio after cutting."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-C-150x150.jpg" title="..and leave a most excelent result to waste ratio after cutting." alt="OpusRelinqueTechnics-2013-10-20-C" width="150" height="150" class="alignright size-thumbnail wp-image-10979" style="margin-right:14px;" /></a></p>
<p style="line-height:20px;">When trying to make maximal use of the little material <a href="http://blog.opusrelinque.com/2013/09/27/patched-panel/" title="Patched Panel">remaining</a>, dividing the <a href="http://blog.opusrelinque.com/2012/06/12/intrinsic-transformation/" title="Intrinsic Transformation">front panel</a> into a conundrum of pieces became the only option; joining leather frame with silk underground to create a natural resource combination that makes mistakes of any kind non-permissible and clarity in marking twice as important.</p>
<p class="or-3spanpost" style="text-align:center;"><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-D.jpg" rel="lightbox[10975]" title="Rebuilding the leather panel frame following the paper guide.."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-D-150x150.jpg" title="Rebuilding the leather panel frame following the paper guide.." alt="OpusRelinqueTechnics-2013-10-20-D" width="150" height="150" class="alignleft size-thumbnail wp-image-10978" style="margin-left:14px;"></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-E.jpg" rel="lightbox[10975]" title="and joining it with the silk cutout to form a solid construction.."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-E-150x150.jpg" title="and joining it with the silk cutout to form a solid construction.." alt="OpusRelinqueTechnics-2013-10-20-E" width="150" height="150" class="alignnone size-thumbnail wp-image-10977" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-F.jpg" rel="lightbox[10975]" title="..as a great alternative to the slightly simpler back panels."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/06/OpusRelinqueTechnics-2013-10-20-F-150x150.jpg" title="..as a great alternative to the slightly simpler back panels." alt="OpusRelinqueTechnics-2013-10-20-F" width="150" height="150" class="alignright size-thumbnail wp-image-10976" style="margin-right:14px;"/></a></p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Patched Panel</title>
		<link>http://blog.opusrelinque.com/2013/09/27/patched-panel/</link>
		<comments>http://blog.opusrelinque.com/2013/09/27/patched-panel/#comments</comments>
		<pubDate>Fri, 27 Sep 2013 13:44:39 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Production]]></category>
		<category><![CDATA[organisation]]></category>
		<category><![CDATA[patterns]]></category>
		<category><![CDATA[stitching]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=10721</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2013/09/27/patched-panel/" title="Patched Panel"></a>Having the perfect material at home is a blessing turned sour when there&#8217;s just not enough of it to fulfil the project requirements, even more so when in lack of the time for a trip to the specialist store; sometimes &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2013/09/27/patched-panel/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2013/09/27/patched-panel/" title="Patched Panel"></a>			<content:encoded><![CDATA[<p class="or-2spanpost"><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/05/OpusRelinqueProduction-2013-09-27-A.jpg" rel="lightbox[10721]" title="The required panel divided into pieces don't let any of the precious resource go to waste."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/05/OpusRelinqueProduction-2013-09-27-A-300x225.jpg" title="The required panel divided into pieces don't let any of the precious resource go to waste." alt="OpusRelinqueProduction-2013-09-27-A" width="256" height="192" class="alignnone size-medium wp-image-10723"  style="margin-top:0px;margin-bottom:0px;"/></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2014/05/OpusRelinqueProduction-2013-09-27-B.jpg" rel="lightbox[10721]" title="The agrandised result: looking much more apealing than the simple 1-piece cut would have."><img src="http://blog.opusrelinque.com/wp-content/uploads/2014/05/OpusRelinqueProduction-2013-09-27-B-300x225.jpg" title="The agrandised result: looking much more apealing than the simple 1-piece cut would have."  alt="OpusRelinqueProduction-2013-09-27-B" width="256" height="192" class="alignright size-medium wp-image-10722" style="margin-top:0px;margin-bottom:0px;"/></a></p>
<p style="line-height:20px;">Having the perfect material at home is a blessing turned sour when there&#8217;s just not enough of it to fulfil the project requirements, even more so when in lack of the time for a trip to the specialist store; sometimes the ideal moment to creatively make the maximum out of what one has and elevate the design to a higher level.</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Differential Meetings</title>
		<link>http://blog.opusrelinque.com/2013/03/31/differential-meetings/</link>
		<comments>http://blog.opusrelinque.com/2013/03/31/differential-meetings/#comments</comments>
		<pubDate>Sun, 31 Mar 2013 19:52:20 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=9809</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2013/03/31/differential-meetings/" title="Differential Meetings"></a>Due to the method by which the golden bias trim emerges from within the seamline to lay over the adjoining piece of fabric; gaining a symmetrical semblance when seamlines meet requires the correct calculation and incorporation of a hidden standoff, &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2013/03/31/differential-meetings/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2013/03/31/differential-meetings/" title="Differential Meetings"></a>			<content:encoded><![CDATA[<p class="or-2spanpost"><a href="http://blog.opusrelinque.com/wp-content/uploads/2013/06/OpusRelinqueTechnics-2013-03-31-A.jpg" rel="lightbox[9809]" title="The semblance, both lines meeting in a common middle."><img class="alignnone  wp-image-9811" title="The semblance, both lines meeting in a common middle." src="http://blog.opusrelinque.com/wp-content/uploads/2013/06/OpusRelinqueTechnics-2013-03-31-A-300x225.jpg" alt="Inserting flank piece into gothic cape." width="256" height="192"  style="margin-top:0px;margin-bottom:0px;"/></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2013/06/OpusRelinqueTechnics-2013-03-31-B.jpg" rel="lightbox[9809]" title="The reality, the underlying line continuing onto the seam."><img class="alignright  wp-image-9810" title="The reality, the underlying line continuing onto the seam." src="http://blog.opusrelinque.com/wp-content/uploads/2013/06/OpusRelinqueTechnics-2013-03-31-B-300x225.jpg" alt="Cape design cut up into architectural pieces." width="256" height="192" style="margin-top:0px;margin-bottom:0px;"/></a></p>
<p style="line-height:20px;">Due to the method by which the <a href="http://blog.opusrelinque.com/2012/09/14/including-trim/" title="Including Trim">golden bias trim</a> emerges from within the seamline to lay over the adjoining piece of fabric; gaining a symmetrical semblance when seamlines meet requires the correct calculation and incorporation of a hidden standoff, a tricky issue that re-manifests for each and every junction on <a href="http://blog.opusrelinque.com/2012/03/17/impressionnant-retake/" title="Impressionnant Retake">the cape</a>.</p>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Converging Lines</title>
		<link>http://blog.opusrelinque.com/2013/01/29/converging-lines/</link>
		<comments>http://blog.opusrelinque.com/2013/01/29/converging-lines/#comments</comments>
		<pubDate>Tue, 29 Jan 2013 04:06:20 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=9289</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2013/01/29/converging-lines/" title="Converging Lines"></a>Drawing sets of parallel-lines to denote the exact locations of the folds, the backfolds and the foldless parts while using their relation to the side, front and rear centers as key points to fuse the vastly amassing paper pieces together &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2013/01/29/converging-lines/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2013/01/29/converging-lines/" title="Converging Lines"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2013/02/OpusRelinqueTechnics-2013-01-29-A.jpg" rel="lightbox[9289]" title="Using precise calculations to drawn out all pleats and important areas."><img class="alignnone  wp-image-9290" title="Using precise calculations to drawn out all pleats and important areas." src="http://blog.opusrelinque.com/wp-content/uploads/2013/02/OpusRelinqueTechnics-2013-01-29-A-300x225.jpg" alt="self-drawn pleated pattern for full length skirt." width="240" height="180" style="margin-top:0px;margin-bottom:0px;" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2013/02/OpusRelinqueTechnics-2013-01-29-B.jpg" rel="lightbox[9289]" title="Following a paper sample to correctly reform the lines into tailoring."><img class="alignright  wp-image-9291" title="Following a paper sample to correctly reform the lines into tailoring." src="http://blog.opusrelinque.com/wp-content/uploads/2013/02/OpusRelinqueTechnics-2013-01-29-B-300x225.jpg" alt="tailored pleat skirt pattern drawing." width="240" height="180" style="margin-top:0px;margin-bottom:0px;" /></a></p>
<p style="text-align:left; line-height:22px;">Drawing sets of parallel-lines to denote the exact locations of the folds, the backfolds and the foldless parts while using their relation to the side, front and rear centers as key points to fuse the vastly amassing paper pieces together before including tailoring by redirecting the foldlines to deepen <a href="http://blog.opusrelinque.com/2013/01/19/pleated-wrap/" title="Pleated Wrap">the pleats</a> from the hips up.</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Derived Pattern</title>
		<link>http://blog.opusrelinque.com/2012/06/15/derived-pattern/</link>
		<comments>http://blog.opusrelinque.com/2012/06/15/derived-pattern/#comments</comments>
		<pubDate>Fri, 15 Jun 2012 17:41:32 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=6766</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2012/06/15/derived-pattern/" title="Derived Pattern"></a>Taking a moment to expose one of the mathematical challenges within the kind of work I do by deducing the alterations in an edit of the &#8216;longcorset&#8217; patterns &#8211; here on display from back center to front center &#8211; in &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2012/06/15/derived-pattern/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2012/06/15/derived-pattern/" title="Derived Pattern"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/06/OpusRelinqueTechnics-2012-06-15-B2.jpg" rel="lightbox[6766]" title="Replacing the hemline positions to ideeally follow the leg-shape."><img src="http://blog.opusrelinque.com/wp-content/uploads/2012/06/OpusRelinqueTechnics-2012-06-15-B2-225x300.jpg" alt="Male gothic long corset battlegear pattern." title="Replacing the hemline positions to ideeally follow the leg-shape." width="225" height="300" class="alignleft size-medium wp-image-6770" style="margin-top:0px;"/></a>Taking a moment to expose one of the mathematical challenges within the kind of work I do by deducing the alterations in an edit of the &#8216;longcorset&#8217; patterns &#8211; here on display from back center to front center &#8211; in finding the correct way of hemline elongation for the <a href="http://blog.opusrelinque.com/2012/06/12/intrinsic-transformation/" title="Intrinsic Transformation">design</a> to work; having the bustier part of the pattern, correct in size and body-shape as developed in a first prototype, and re-approbating it in a cotton test-version cut following a <a href="http://blog.opusrelinque.com/wp-content/uploads/2012/06/OpusRelinqueTechnics-2012-06-15-A2.jpg">preliminary pattern, brought to length through continuous straight lines</a> in the same manner of lengthening a dress or coat, by trying to change the panels into shapes more adherent to the strong individuality of the &#8211; from the hips separately dropping &#8211; pieces, introducing small pleats for diverting them towards the flank-side of the outfit and retracing the outcome, combined with esthetical adaptions in order to ideally follow both shape and movement of the leg, thus creating this elaborate cluster of lines, attentively re-sortable into the <a href="http://blog.opusrelinque.com/wp-content/uploads/2012/06/OpusRelinqueTechnics-2012-06-15-C2.jpg">finalized, fully to the design adjusted contortive-lined pattern</a>, ready to be copied and harvested from the well-rested leather. </p>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Cotton Base-Cape</title>
		<link>http://blog.opusrelinque.com/2012/03/20/cotton-base-cape/</link>
		<comments>http://blog.opusrelinque.com/2012/03/20/cotton-base-cape/#comments</comments>
		<pubDate>Tue, 20 Mar 2012 19:48:11 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=6452</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2012/03/20/cotton-base-cape/" title="Cotton Base-Cape"></a>Having discerned some minor adjustments in fit by testing its patterns in a cotton mock-up, the cape&#8217;s base is again applied to mark ideal seam positions in correspondence with the plan of integrated trim-lines by pin pointing the optimal esthetic &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2012/03/20/cotton-base-cape/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2012/03/20/cotton-base-cape/" title="Cotton Base-Cape"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/05/OpusRelinqueTechnics-2012-03-20-A.jpg" rel="lightbox[6452]" title="cotton cape on bust"><img class="alignnone  wp-image-6453" title="cotton cape on bust" src="http://blog.opusrelinque.com/wp-content/uploads/2012/05/OpusRelinqueTechnics-2012-03-20-A-300x224.jpg" alt="text" width="240" height="179" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/05/OpusRelinqueTechnics-2012-03-20-B.jpg" rel="lightbox[6452]" title="highlighting on cotton"><img class="alignright  wp-image-6454" title="highlighting on cotton" src="http://blog.opusrelinque.com/wp-content/uploads/2012/05/OpusRelinqueTechnics-2012-03-20-B-300x224.jpg" alt="test" width="240" height="179" /></a><br />
Having discerned some minor adjustments in fit by testing its <a href="http://blog.opusrelinque.com/2012/02/22/complicated-pattern/" title="Complicated Pattern">patterns</a> in a cotton mock-up, the cape&#8217;s base is again applied to mark ideal seam positions in correspondence with the <a href="http://blog.opusrelinque.com/2012/03/17/impressionnant-retake/" title="Impressionnant Retake">plan of integrated trim-lines</a> by pin pointing the optimal esthetic correlations, replacing seams in accordance with concording undergarments.</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Through a Stretch</title>
		<link>http://blog.opusrelinque.com/2012/03/13/through-a-stretch/</link>
		<comments>http://blog.opusrelinque.com/2012/03/13/through-a-stretch/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 19:29:59 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=6225</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2012/03/13/through-a-stretch/" title="Through a Stretch"></a>Combining sequential polling with interpolation methods for copying and horizontally stretching previously drawn patterns to 2.4 times their original size; gathering sufficient girth in order to incorporate in-stitched ruffles all throughout the blouse&#8217;s body and sleeves, bringing it&#8217;s dimensions back &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2012/03/13/through-a-stretch/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2012/03/13/through-a-stretch/" title="Through a Stretch"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-13-A2.jpg" rel="lightbox[6225]" title="Sleeve Pattern, Stretched to accomodate ruffles"><img class="alignnone  wp-image-6227" title="Sleeve Pattern, Stretched to accomodate ruffles" src="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-13-A2-300x224.jpg" alt="How to draw a full ruffle sleeve pattern" width="240" height="179" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-13-B2.jpg" rel="lightbox[6225]" title="Body/armhole pattern, Adapted for its own ruffles"><img class="alignright  wp-image-6226" title="Body/armhole pattern, Adapted for its own ruffles" src="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-13-B2-300x224.jpg" alt="Ruffled armhole pattern." width="240" height="179" /></a></p>
<p>Combining sequential polling with interpolation methods for copying and horizontally stretching <a href="http://blog.opusrelinque.com/2012/03/08/two-shirts-two-patterns/" title="Two shirts; Two Patterns">previously drawn patterns</a> to 2.4 times their original size; gathering sufficient girth in order to incorporate in-stitched ruffles all throughout the blouse&#8217;s body and sleeves, bringing it&#8217;s dimensions back to the original pattern.</p>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Two shirts; Two Patterns</title>
		<link>http://blog.opusrelinque.com/2012/03/08/two-shirts-two-patterns/</link>
		<comments>http://blog.opusrelinque.com/2012/03/08/two-shirts-two-patterns/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 19:22:26 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=6125</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2012/03/08/two-shirts-two-patterns/" title="Two shirts; Two Patterns"></a>Even though they follow the same body-measurements, the base patterns for these two secondary blouses are individually drawn as they immediately need to account for the small details in coupe that make up great differences in fit and shape; having &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2012/03/08/two-shirts-two-patterns/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2012/03/08/two-shirts-two-patterns/" title="Two shirts; Two Patterns"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-08-A.jpg" rel="lightbox[6125]" title="Tailored blouse with short shoulders"><img class="alignnone  wp-image-6126" title="Tailored blouse with short shoulders" src="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-08-A-300x224.jpg" alt="gothic tailored blouse pattern" width="270" height="202" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-08-B.jpg" rel="lightbox[6125]" title="Loose blouwe with hanging shoulders"><img class="alignright  wp-image-6127" title="Loose blouwe with hanging shoulders" src="http://blog.opusrelinque.com/wp-content/uploads/2012/03/OpusRelinqueTechnics-2012-03-08-B-300x224.jpg" alt="gothic ruffle blouse pattern" width="270" height="202" /></a></p>
<p>Even though they follow the same body-measurements, the base patterns for these two <a title="Primary Vs Secondary" href="http://blog.opusrelinque.com/2011/02/09/primary-vs-secondary/">secondary</a> blouses are individually drawn as they immediately need to account for the small details in coupe that make up great differences in fit and shape; having one of these blouses being <a title="Pleat-collar Blouse" href="http://blog.opusrelinque.com/2012/03/02/pleat-collar-blouse/">tightly tailored</a> and the other wide in flow as two back-to-back productions I am now allowing myself to fully extrapolate on which details make up a look.</p>
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		<title>Complicated Pattern</title>
		<link>http://blog.opusrelinque.com/2012/02/22/complicated-pattern/</link>
		<comments>http://blog.opusrelinque.com/2012/02/22/complicated-pattern/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 19:40:08 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=5717</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2012/02/22/complicated-pattern/" title="Complicated Pattern"></a>Because the standard 4-piece arrangement never seems to provide a proper fit, I am applying earlier research to assess a shouldershape in between that of coat and cape, directly differencing between body and sleeve segments in a 10-parts construction, all &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2012/02/22/complicated-pattern/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2012/02/22/complicated-pattern/" title="Complicated Pattern"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2012/02/OpusRelinqueTechnics-2012-02-22d.jpg" rel="lightbox[5717]" title="10 Pieces charting 4 quadrants: back body, front body, back sleeve and font sleeve"><img class="alignleft  wp-image-5728" title="10 Pieces charting 4 quadrants: back body, front body, back sleeve and font sleeve" src="http://blog.opusrelinque.com/wp-content/uploads/2012/02/OpusRelinqueTechnics-2012-02-22d-300x224.jpg" alt="Sewing pattern for a complicated cape , that fits snugly around the shoulders." width="300" height="224" /></a><br />
Because the standard <a title="The Scarlet Capette" href="http://blog.opusrelinque.com/2011/04/02/the-scarlet-capette/">4-piece arrangement</a> never seems to provide a proper fit, I am applying <a title="Unique Experimentation" href="http://blog.opusrelinque.com/2011/05/22/experimentation/">earlier research</a> to assess a shouldershape in between that of coat and cape, directly differencing between body and sleeve segments in a 10-parts construction, all of which embed darts to regain a suited fitting form, which, due to the loose and <a title="The Cathedral Cape" href="http://blog.opusrelinque.com/2011/05/09/the-cathedral-cape/">fluid nature</a> of the cape, requires a lot of fiddling and tweaking, as all pieces have to cooperate and influence each-other at the same time; resulting in a set of patterns that might appear simple, but possesses a technical difficulty well above the <a title="Drawing Patterns" href="http://blog.opusrelinque.com/2011/06/17/drawing-patterns-4/">other things</a> I have done.</p>
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		<title>Folding, Continued</title>
		<link>http://blog.opusrelinque.com/2011/10/19/folding-continued/</link>
		<comments>http://blog.opusrelinque.com/2011/10/19/folding-continued/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 20:33:32 +0000</pubDate>
		<dc:creator><![CDATA[Discipulus]]></dc:creator>
				<category><![CDATA[Technics]]></category>
		<category><![CDATA[patterns]]></category>

		<guid isPermaLink="false">http://blog.opusrelinque.com/?p=3409</guid>
		<description><![CDATA[<a href="http://blog.opusrelinque.com/2011/10/19/folding-continued/" title="Folding, Continued"></a>Testing prototypes and preparing patterns for the next venture within the Rider&#8217;s Gear project: a couplet of angular underarm bracers which&#8217;s design follows the established construction process of folding from-the-centre-diverging, interfaced layers, making good use of the the remainder of &#8230;<p class="read-more"><a href="http://blog.opusrelinque.com/2011/10/19/folding-continued/">Read more &#187;</a></p>]]></description>
	<a href="http://blog.opusrelinque.com/2011/10/19/folding-continued/" title="Folding, Continued"></a>			<content:encoded><![CDATA[<p><a href="http://blog.opusrelinque.com/wp-content/uploads/2011/10/OpusRelinqueProgress-74a.jpg" rel="lightbox[3409]" title="Bracer Prototype"><img class="alignnone size-medium wp-image-3410" title="Bracer Prototype" src="http://blog.opusrelinque.com/wp-content/uploads/2011/10/OpusRelinqueProgress-74a-300x224.jpg" alt="Bracer Prototype" width="240" height="179" /></a><a href="http://blog.opusrelinque.com/wp-content/uploads/2011/10/OpusRelinqueProgress-74.jpg" rel="lightbox[3409]" title="Folding Patterns"><img class="alignright size-medium wp-image-3411" title="Folding Patterns" src="http://blog.opusrelinque.com/wp-content/uploads/2011/10/OpusRelinqueProgress-74-300x224.jpg" alt="Folding Patterns" width="240" height="179" /></a><br />
Testing prototypes and preparing patterns for the next venture within the Rider&#8217;s Gear project: a couplet of angular underarm bracers which&#8217;s design follows the established construction process of folding from-the-centre-diverging, interfaced layers, making good use of the <a href="http://blog.opusrelinque.com/2011/09/30/cutting-fabric-4/">the remainder</a> of my dense black velvet.</p>
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		<slash:comments>3</slash:comments>
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